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Wemhoff said that his team had worried “a lot” about how to avoid appealing to the far right, and that they had chosen a restrained subtitle - “Archaeological Perspectives” - for that reason. It also features an exhibit about the ways archaeological finds from the period have been politicized in the past. including weapons, personal items and ceramics - in understated displays. The first survey exhibition of archaeological finds from Germanic peoples, it presents over 700 items from the first to the fourth centuries A.D. They also wanted to emphasize Arminius’ identity as a migrant, he said, adding, “It was important for us not to show him as some big war hero or the founder of a German empire.”Īnd the creators cast Rupp, an Austrian actor, in the role in part because, with his darker complexion and hair, he did not fit the blond, blue-eyed depictions of Arminius that have been common in the past. Jan Martin Scharf, another writer and showrunner, said that the production team had taken a consciously gritty approach to the subject matter to avoid glorifying the violence between the Cherusci and the Romans. The show’s plot is set in motion when the Romans demand large tributes from the Cherusci, heightening tensions and gradually leading Arminius to doubt his allegiance to the empire. In its telling, Arminius is born a Cherusci but is taken away by the Roman occupiers as a young boy, only to return as a member of the imperial army - a portrayal that reflects historians’ belief that the real-life Arminius served in the Roman military before changing sides. The show focuses on three characters with connections to a real-life tribe called the Cherusci: Thusnelda (Jeanne Goursaud), the daughter of a Cherusci leader Folkwin (David Schütter), a fictional warrior and Arminius (Laurence Rupp). Nolting said that he and the other showrunners were conscious of this political baggage while crafting the narrative arc of “Barbarians,” which premiered on Oct. Under the Third Reich, the Nazi ideologue Alfred Rosenberg depicted Arminius as part of a “line of German ancestry” leading to Adolf Hitler, and schoolbooks of the period claimed that he had saved “the purity of German blood.” In 2009, the far-right extremist National Democratic Party of Germany organized a “remembrance march” commemorating the battle, under the slogan “2,000 years of fighting against foreign infiltration.” ‘The Underground Railroad’: Barry Jenkins’s transfixing adaptation of the Colson Whitehead novel is fabulistic yet grittily real.‘Succession’: In the cutthroat HBO drama about a family of media billionaires, being rich is nothing like it used to be.
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Here are some of the highlights selected by The Times’s TV critics: Television this year offered ingenuity, humor, defiance and hope. To this day, the battle, and the tribes’ leader in the fight, Arminius, remain sources of inspiration for far-right extremists, who regularly make pilgrimages to related sites. German nationalists, including the Nazis, have used the battle as an ideological rallying point - a supposed foundational moment for German civilization and proof of their superior pedigree and fighting skills.
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Its rugged protagonists clash violently with rival tribes and, most of all, with the Roman forces who control the area.īut the show’s six episodes build toward the first fictionalized depiction on German TV of an event that remains fraught even after two millenniums: the Battle of Teutoburg Forest, which put an end to the Roman Empire’s aspirations of controlling much of what is now Germany. trying to survive in a forested region of what is now northern Germany. The historical epic - reminiscent of the long-running History channel series “Vikings” - centers on a tribe of villagers in the first century A.D. BERLIN - For those unfamiliar with German history, the new Netflix show “Barbarians” might not seem especially provocative.