8:36, Synthogy Ivory 2 American Concert D(Steinway D, 189$) 5. 5:44, Modartt Pianoteq 7(Bechstein DG, 55$) 4. 2:51, Spectrasonics Keyscape(YAMAHA C7 LA Custom, 399$) 3. 0:00, Garritan Abey Road Studios CFX Concert Grand(YAMAHA CFX, 199$) 2. Korea : - Global : Which one is your favorite? -Track Info 1. You can purchase the sheet music of this song below. The sample song is from my 13rth album "Hello, Prague" and this song was written at my home in Prague. Today I want to compare review some of my go-to piano VSTs. I appreciate that this comes up, becuase I hadnt even considered that as potential issue with pianos, but as long as makers script against the sustain, even if theyre looking for binary (maybe MORE likely if they expect binary) and my Kronos spits 65-80-50-70 within a fraction of a millisecond, that might cause a kind of spew of damper samples/effects triggered.may in fact need an extra logic loop in there to transform in real time to 0-10=off.10-127=on.ten built in to handle a slightly skewed continuous pedal. There is a marked tonal difference between the two. The Vintage types represent real life pianos: Vintage 1 is modelled on a famous American piano that might start with an S, while Vintage 2 hails from Europe a famous brand that might well begin with a B. It sits alongside their specialist Italian Grand and Upright Pianos libraries, and the whole range builds on the original, very successful Ivory, which was reviewed so positively in the March 2005 issue of SOS. But, youre still playing back the midi stream of his Roland pedal into S88 brain hardware generated. The piano models are divided into two types, Vintage and Vanguard. Ivory II Grand Pianos is the principal product in US pianosampling specialists Synthogy's lineup. I think what you mean by ruling out hardware is his computer hardware, becuase sure-the same midi file triggrs the problem on your computer hardware. Now, i wouldn't suggest he change that “hardware”-its obviously exposed a flaw in the programatic logic. Ultimately, that midi pedal is generating the stream thats throwing the instrument scripting for a loop. So that you get where i was coming from in asking and also in viewing the output or my own.your playing back the midi doesnt rule that out. Karishma’s fun day out in Dubai was all about a great ensemble and a lot of happiness. We're so fortunate that so many high quality instruments exist for us to choose from. In an ivory white co-ord set, Karishma Tanna is stunning Dubai. An endless search for "the best" will make you nuts. I don't know of any instrument (real or virtual) that fits every track I create. Ultimately, the only measure of the pianos is how well it fits into the track, not whether it provides a perfect photographic reproduction.
The point of my nearly endless screed is simply that most of us use these instruments as part of a track we're creating. While the default Steinway isn't my favorite, some of the other pianos offered are kind of stunning. I agree that 6 is a quantum leap in quality and also that the condition slider is your friend. I own an embarrassing number of the instruments and libraries mentioned in this long thread including Pianoteq (since V3). I suspect you'd be surprised at your preference. But a better comparison would be micing the piano and recording it in a track and comparing that to the various VI instruments. Expecting a repeat of that feeling with a VI is setting yourself up for disappointment.
Another was playing a Grotrian at a NAMM show in the early 80's.
I did that over and over just for that feeling. I vividly recall a transcendent moment playing a big Steinway in a nice room at college at 1AM when everything was silent. I think each piano has its own character, so. The process of passing through microphones and being reproduced through speakers will never be the same as playing a good piano in a nice room. These are some of the virtual pianos I've collected over the years, some hardware, some software. At the very best, any VI can only provide the experience of listening to a mic-ed up piano. Something that pops up in this thread is the revelation that (whatever VI piano is under discussion) is nowhere near the satisfying experience that playing a physical piano produces.